Day 1: Thursday 3 July 09:00-09:45Registration [Building 58]. See the campus map. 09:45-10:00Miguel Mera & Christopher MorrisWelcomeĀ Paper Session 1: Opera [Chair: Carlo Cenciarelli]10:00-11:30Christopher MorrisFilming a Stage Performance is Not a Form of Artā: Operaās Divided Screen CulturesEmanuele Senici'Citizens of Sanremoā: RAI TVās Live Opera Broadcasts, 1954-1976Gaia Varon(No More) Bodies in the Hall: From Live TV Broadcast to Live Streaming at Teatro alla Scala 11:30-12:00Break 12:00-13:00Jonathan HaswellKeynote Presentation. Live Performance on Screen: Truths and Style 13:00-14:00Lunch Paper Session 2: Preservation(s) [Chair: Danielle Ward-Griffin]14:00-15:00JiÅĆ AngerArchiving the Live Music Spectacle: Woodstock ā99 and MTV Pay-Per-ViewJakub BoguszakCollecting Live Performances15:00-15:30BreakPaper Session 3: Requiem for a Multicamera DreamĀ [Chair: Gaia Varon]15:30-16:30Marianthi FotopoulouScreening Giuseppe Verdiās Messa da Requiem (1874): A Case Study of Teodor Currentzis and MusicAeternaās 2019 Live Performance Video Recording of the Requiem MovementMiguel MeraSynchrophonia: Audiovisual Representation as Analytical Listening in Mozartās Requiem 16:45-17:45Gemma Dixon & Jonathan HaswellWorkshop, Turner Sims Concert Hall 18:00-18:45Dinner, Centenary Restaurant [Building 100] 19:00-20:00Mayflower EnsembleConcert, Jazz and Jests: A Musical Feast, Turner Sims Concert Hall 20:15-21:15Gemma Dixon & Jonathan HaswellPost Concert Discussion, Turner Sims Concert Hall Day 2: Friday 4 July Paper Session 4: New Practices Ā [Chair: Jakub Boguszak]09:00-10:30Ivan MoschukAlternative Approaches to Temporal and Spatial Continuity in Filming MusicTim BlackwellPerformance, Authentic Musicality and the Mediated Camera: Ten Years of Imaging Kaiser Chiefs. Multi-Camera Through TimeSteve WhitfordThe āTruth of Soundā: Exploring the Impacts of an Immersive Location Sound Recording Methodology, on the Conventions, Grammar and Audience Reception of a Production 10:30-11:00Break 11:00-11:50Gemma Dixon, Rhodri Huw & Peter ManiuraIndustry Plenary: The Future of Multi-Camera Production Paper Session 5: Theatre [Chair: Christopher Morris]12:00-13:30Yangzi ZhouContemporaneity as (Inter)national issue: NT Live Broadcasts of Ivo van Hove's WorkJohn WyverIn Praise of Hypermediacy: An Argument for a New(ish) Language of Screen PerformanceErin SullivanScreening Live Performance after Covid: The Case of the Royal Shakespeare Company13:30-14:30LunchĀ Paper Session 6: Performers and Audiences [Chair: Emanuele Senici]14:30-16:00Pietro ModestiniEmpirical Insights into Concert Streaming: Liveness and Audience ExperienceVerica GrmuÅ”a'Performers' Reflections on Re(Creating Art Song Recital for theĀ ScreenSureshkumar P. SekarFrom Liveness to aLiveness: Audience Experience of Screened Orchestral Music Concerts 16:00-16:30Break Paper Session 7: Transmutations [Chair: Erin Sullivan]16:30-17:30Bryce CarlyleMasking and Simulating the āLiveā: Late 1960s Psychedelic Performance on American Broadcast TelevisionYe Rin KangPerforming The Wiz for the Screen: A Comparative Study of Film and Live Television 17:30-17:45Wrap-up and Close Programme and Abstracts as PDF